shostakovich string quartet no 8 analysis

The second movement is at a much faster pace (Allegro molto). 6th entry google_ad_width = 468; The third movement is definitely waltz-like, but waltzes are supposed to be happy joyous, yet this sounds very lugubrious. Each section begins in a very open and expansive manner before slowly drifting together into the ridged constraints of traditional harmonies. 8 is a complex, melancholy work written while Shostakovich was visiting Dresden, Germany, in 1960, where he was to provide music for the film Five Days-Five Nights. Quite a few notes in the 5th movement sound either incorrect or out of tune. Here the same 5 notes are repeated over and over again, with piano fingering: 43231. The cello picks up the violent melody where the violins left off, why? The Fitzwilliam String Quartet doing the Shostakovich String Quartets were my first set of all DSCH's string quartets. 30 Mar. 1, Symphony No. The 2nd movement does not contain the DSCH motif, so most likely Shostakovich does not intend for this movement to be personal, but instead intends to show the confusion and horror inflicted upon the Russian people by the government. The Victoria Conservatory recording does not have this dying effect, which may be indicative of their interpretation. “Culture — Shostakovich: The Composer Who Was Almost Purged.” BBC News, BBC, 7 Aug. 2015, www.bbc.com/culture/story/20150807- shostakovich-the-composer-who-was-almost-purged. Shostakovich’s the final wording of the dedication was changed to “In Memory of the Victims of Fascism and War”. 8in C minor, opus 110, the most loved of all Shostakovich's quartets, has a duration of about twenty minutes. In the 4th movement, an interesting visual effect occurs when it appears as if the performers are knocking on their instruments! However, these continued attacks against his work led to a significant reduction in his sponsorships and his ability to support himself with his music. In the 4th movement, the mood seems very tense and hesitant at the same time. Again I’m unsure what purpose the waltz-like nature of the 3rd movement serves. 10 Lauren Spavelko Dr. Malone Music History November 19, 2010 Secret Resistance: An Analysis of Shostakovich's Symphony No. By choosing to do this rather than simply continuing the whole notes creates more separation between the sections while still maintaining consistency in the underlying harmony. More romantic melody line heard now; sounds almost melancholy, and fearful. To continue with what I ended with in the 8th entry, the 1st and 5th movements are very purposely linked. The fourth (m. 105, beat 3 — end) and final section returns to the structure of the first and reprises a lot of the material that was previously played. The main part moves from violins to cello to the viola. 8 in c minor comprises a mere twenty minutes of non-stop music, written in three days in 1960 as a distraction from a project to write a film score about the Dresden fire bombings of WWII. He suffered from a broken leg and a later diagnosis revealed he had amyotrophic lateral sclerosis (ALS), also known as Lou Gehrig’s disease (Kalapatapu). Shostakovich, the most important Russian composer born in the early years of the Now the fear inherent in this piece may be the fear Shostakovich has to live with daily in the wake of an oppressive Soviet government. The communist (though really totalitarian beginning with Stalin) government in Russia thrived from instilling fear in its citizens. Sounds organ-like, as in a funeral. Interestingly, the chromatic scales in solo viola are mostly descending. This is over an ominous drone of the lowest open strings of the second violin, viola, and cello which is also an interval of a 5th. google_ad_format = "468x60_as"; The next day after Stalin’s viewing, an editorial was published by Pravda entitled “Muddle Instead of Music” and describing the opera as “course, primitive, and vulgar” (Burton-Hill, 2015). 8 (Landmarks in Music Since 1950) [Fanning, David] on Amazon.com. This piece, String Quartet No. The use of the DSCH motif alone hints at the personal nature of the work, but the way that it is utilized in the quartet to compose and structure the piece around further accentuates this. But now it’s back to the 3 loud notes from the start of the 4th movement. Chromatic scales with very high notes in violins are played very quietly as opposed to the first movement. This is sharply in contrast with the rest of the piece. 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